Eyal Gever, a sculpture artist who transforms sublime moments into massive 3D sculpture. He uses 3D printer to produce these sculpture.
Gever believes the simulation is more important than the final piece because within it lies the scenario, the context, and the narrative. The magic happens when the viewer sees the piece in motion. “This is when you, the viewer, are invited to investigate the moment, and be a part of the moment,” he says.
Few words from the artist :
“I’ve created my own kind of high speed digital camera. 3D printing is a vital part of my palette. I weave algorithmic simulations of epic and extreme events, and then 3D prints them. In this way, he explains, viewers can find themselves before manifestations of situations that don't hold physical form. Sphere Pop, for example, captures the human experience of surprise along with all the anticipation leading up to when it bursts. For me, using code and 3D printing is a way to bring into being things that no hands could shape. No human could ever sculpt a waterfall. It’s too intricate.”
Gever believes the simulation is more important than the final piece because within it lies the scenario, the context, and the narrative. The magic happens when the viewer sees the piece in motion. “This is when you, the viewer, are invited to investigate the moment, and be a part of the moment,” he says.
Few words from the artist :
“I’ve created my own kind of high speed digital camera. 3D printing is a vital part of my palette. I weave algorithmic simulations of epic and extreme events, and then 3D prints them. In this way, he explains, viewers can find themselves before manifestations of situations that don't hold physical form. Sphere Pop, for example, captures the human experience of surprise along with all the anticipation leading up to when it bursts. For me, using code and 3D printing is a way to bring into being things that no hands could shape. No human could ever sculpt a waterfall. It’s too intricate.”
Source : www.thecreatorsproject.vice.com